Bass envelope filter pro manual

Bassists will enjoy experimenting with the IQ-Analog unit, achieving tight and funky, excellent auto-wah and up-wah. In addition, the EBS works well with active basses and passive basses. It produces fine sound with slap technique. A couple of years ago, one writer suggested that, contrary to popular opinion, bassists are very important to a band or any other musical group.

The bass line provides a necessary background, a rhythm that people feel as much as they hear. Think in terms of what part of the music you tap your feet to or tap your fingers to. For example, studies show people notice changes in rhythm in the bass register more readily than when the melody line changes. So, bass is necessary. In the 21st century, imaginative players seek ways to enhance the bass sound while holding on to that depth every music aficionado appreciates.

Nuance in bass sounds? However, when the subject is envelope filtering , there are a couple of ways to do it. Bass players have used a manual wah pedal for years, rocking the foot back and forth to produce the unique sound, though some players decide against using this sound at all. The other way to produce a great-but-different sound is to use a bass envelope filter pedal as part of the input line. The pedal unit uses a peaking filter, which amplifies a specific frequency and cuts off others.

The three different types of pass filters, Full Range , Band Pass , and Low Pass , offer three variations of your sound at any time. Find a sound setting you like, and then try the different pass filter options, and each of them will change the character of the sound. Trim pots are found inside to set the Gain output level of the pedal, a High Pass mix-in trim pot sets the level of high frequencies from the bypassed tone to mix in with the effect.

A third trim pot decides the Range of the envelope effect in the pedals UP-R mode setting. Use these options carefully to tailor the pedal's response to match your personal needs perfectly.

Filter: Range - 2. The adapter can supply up to twenty pedals at the same time. The low pass reso- nant peak moves in the opposite direction from the additional higher frequency peaks. Notch, Peak, Notch. A pair of frequency response notches creates a standard two notch phaser.

There is a little feedback to boost the non-notched frequencies. But keep in mind that an edited preset can be saved to any one of the preset locations.

For example if preset has been selected and edited, it can be saved to preset location by pressing and holding the This facili- tates the synchronization of the to other musicians or recorded tracks. Resynchronization will also happen when switching from one preset to another. Page 18 The Hot Hand motion sensors are sold separately and come in either wired or wireless versions. Both will work with the BEF Pro.

The Hot Hand ring contains an accelerometer that responds to acceleration and is not based on any type of proximity to the guitar.

Page 19 Select either the X or Y axes by turning the knob to the right or the left, respectively. Once an axis is selected, turn the knob toward either ex- treme labeled to smooth out fast changes from the sensor signal. SLOW Turning the knob towards provides the most amount of smoothing Page 22 Below is the list of editable Backpage parameters.

Many of the available param- eters assignable to the expression pedal input will sound best when the depth is not set to its maximum range. Page 23 For example, in the case of the Sweep Range knob, this means that rocking the expression pedal forward while the knob is set to its full counter-clockwise position may pass the signal from maximum negative sweep through zero modulation to maximum positive sweep.

The illumination of the bottom most signifies the selection of the factory default 7-band. The illumination of the second from the bottom signifies the selection of an 8-band.